Showing posts with label fountain pens. Show all posts
Showing posts with label fountain pens. Show all posts

Thursday, February 24, 2011

Tempting talk of inks

It's time to report on my daring experiment. Amazingly, all my pens wrote readily after sitting idle for seven days. I was surprised. I thought surely a few would muck up. But no, they all wrote from the very first stroke. Now I won't feel compelled to write with each of them nightly. I'll probably still do it, but I won't have to.

Here are the inks presently in my pens. I approve of them all.

Aurora Black
Diamine Crimson (surprisingly fun, very bright)
Diamine Pumpkin
J. Herbin's Lierre Sauvage (a green)
Levenger Pinkly (no longer sold; Carmine scored one at a garage sale)
Noodler's Blue
Diamine Aqua Blue
Private Reserve Orange Crush
Noodler's Lexington Gray (I adore this one)
Diamine Chocolate Brown
Noodler's Red-Black
Noodler's Purple
Noodler's Baystate Blue
Private Reserve Tanzanite (a dark purple with slight blue highlights)

Just a little ink talk to brighten your day. It sure brightens mine.

Saturday, February 19, 2011

The poor, poor things!

I'm in the middle of an experiment -- and the poor creatures at the heart of this callous venture are suffering intensely, even as we speak. Yes, I'm talking about my fountain pens.

I'm trying to see how long they can sit unused and still remain in working order. It's pitiful. Oh, how they cry out to me in the night! "Use me!" they wail. "Oh, please!" they add -- and not in an arch manner, you understand.

But it's all for naught. I will continue to ignore their entreaties in the name of science. It is a noble thing I do, and I am so very noble for doing it.

But the cries! The agony! The screams! Oh, the humanity! Still, I can't give in. I won't, I tell you! I won't!

Monday, February 7, 2011

Inks of many colors

I love ink, fountain pens and color. Luckily, I get to use all three in my work. That's my doodling notebook on the left. At night, I write with all fourteen of my fountain pens on Clairefontaine paper in a Levenger notebook. I just write nonsense, happy to be playing with a pen. I doodle, journalize and generally live-blog my life. Add a little music and I'm a happy guy.

Writing with a fountain pen calms me. When I first pick up the pen, my hand is shaky from clicking and typing all day. But as I write I become entranced by the act of printing. Each letter is a tiny artwork; it's more like drawing than writing. Within a few lines, my hand is rock steady and when I'm done with the 14th pen, I feel I've had a very nice time.

I have over 50 bottles of ink, a color for every mood. It's a simple matter to switch the ink in a fountain pen: just dump one and load another. The real game involves matching the right ink to the right pen. You may find that an ink that worked very well in your Sailor pen, looks fuzzy and unclear or doesn't flow well in your Parker pen. It's like you're using a different ink. Fountain-pen writing is all about matching ink to pen. If things don't go well with an ink in one pen, try it in another or perhaps in a pen with a different nib size.

As for the inks, I'm partial to Noodler's and Diamine inks. J. Herbin also has some lovely colors (and a few duds, at least in my pens) and I like the Private Reserve brand. (Their Orange Crush is fun.) But in one area, there's no competition -- Aurora Black is the only black, always darker than you expect, free-flowing and a pleasure to use. And an Aurora-inked pen never seems to dry out. So black is covered.

I adore one of the J. Herbin inks: Violette Pensee. It's the exact same color as old mimeograph "ink". If you're old enough to remember this precursor to photocopying, you'll recall that the print was a bright, lovely shade of lavender. And of course you had to sniff the paper -- it had a heady, wonderful smell that seemed capable of getting you high. If you're old enough, when you first use Violette Pensee ink you won't be able to stop yourself from sniffing the paper. Alas, the scent you expect is not there, but the ink is exactly the same shade.

I also have a love affair going on with Noodler's Blue. Its shading (the change from dark to light evident in the stroke of some inks) ranges from turquoise to a pleasant, medium-dark blue. It's my favorite blue with the exception of Baystate Blue, another Noodler's color. It's the most vibrant shade of blue you've ever seen but it stains everything it touches. Since it behaves so badly, it's not practical to use. Goes right through the paper, too. Did I forget to mention that? But what a color!

There are some great greens, too. Lierre Sauvage, another J. Herbin ink, is a particular favorite. It's a bright medium-green, a sort of shamrock color, though darker and more forceful. It's greener than green has a right to be and it cheers me every time I write with it. I also like Noodler's Gruene Cactus, which is a lighter and brighter green than Lierre Sauvage.

And why not perk things up with an orange ink? Diamine Pumpkin is a fun orange ink with lovely shading. It's a bit browner than a straight orange. And if you want straight orange, you can't do better than Diamine Orange. It's a very orange orange.

I could go on and on about the inks I love but this have to do for now. As for links to the inks, since stores are in and out of stock all the time, it's best to just Google the ink name. I buy them from anyone who has them. You'll also find a bunch of my ink reviews on Amazon, if that's interesting.

Ink makes me happy. Writing with fountain pens makes me happy. What about you? I figure if you got this far in my post, you're probably a stationery addict just like me. Hey, there are worse things to be. Got a favorite ink or pen? Tell me about it.  

Stationery freaks of the world, unite!

Tuesday, January 4, 2011

Fountain pen heaven

I broke down and bought some of Levenger's new paper for Circa notebooks. They sold awful paper in the past but have apparently changed course.

The new Rhodia paper is sold in Circa notebooks that go for $26. In two's they cost $22 each. I bought only the Rhodia paper itself to use in my leather Circa notebook. A pack of 300 sheets costs $41. 

This paper is incredible! It's the paper that fountain pens have wishing for all their lives. It's so thick it almost doesn't seem like paper. You can easily write on both sides with no danger of show-through. But you have to feel this paper to understand how smooth it is. It's like touching an ivory piano key. 


And the joy of putting ink on this paper! I was able to lay down the finest line I've ever seen my pens produce. Ink perfection. The finished page looks like a hi-def version of normal fountain-pen writing. It's gorgeous!  So precise! I immediately found myself writing just for the joy of it. The pen glides across the paper.

And why is it so wonderful? Because it (like Rhodia) is made by the goddess of paper, Clairefontaine! This is the same paper I use in my other notebooks. I can't speak too highly of it.

Because it has that great column on the left (called "annotation grid", for the formal-minded) it makes a perfect scene book. I can't wait to use it for new scenes. Jot a header on the left and put your notes on the right -- it's simple to view and makes it much easier to locate a particular note.

I could not be more pleased. Here is a link to the Rhodia notebooks. They'll do for starters. And then you can buy a leather notebook after you fall in love with the paper. (Note: this paper is only perfect for fountain pens, gel pens and liquid-ink pens. If you're a ballpoint lover, this is not the paper for you.)

Make sure you don't buy their dogawful, standard paper (which I'm not even sure they still sell). They should be ashamed that they ever sold it. It sucked the ink out of fountain pens and spread it all over the place. You want the Rhodia notebooks or Rhodia refills. And here's a link to the paper refills if you've already got a Circa notebook. Good stuff!